Toutes peintures ā l'huile d'Franz Anton Maulbertsch
ID Image Painting(From A to Z)    Details 
67717  
Franz Anton Maulbertsch, Allegory of the Alba
  		 Allegory of the Alba   c. 1750 Oil on canvas 67 x 53 cm
70226  
Franz Anton Maulbertsch, Allegory of the Alba
  		 Allegory of the Alba   Medium Oil on canvas Dimensions 67 x 53 cm
67809  
Franz Anton Maulbertsch, Apotheosis of a Hungarian Saint
  		 Apotheosis of a Hungarian Saint   1773 Oil on canvas 73 x 46 cm
70282  
Franz Anton Maulbertsch, Apotheosis of a Hungarian Saint
  		 Apotheosis of a Hungarian Saint   Medium Oil on canvas Dimensions 73 x 46 cm
67720  
Franz Anton Maulbertsch, Der Apostel Philippus tauft einen Eunuchen
  		 Der Apostel Philippus tauft einen Eunuchen   c. 1750 50,5 X 34,5 cm
74139  
Franz Anton Maulbertsch, Der Apostel Philippus tauft einen Eunuchen
  		 Der Apostel Philippus tauft einen Eunuchen   Deutsch: um 1750 English: c. 1750 Medium Deutsch: Öl auf Papier Dimensions Deutsch: 50,5 X 34,5 cm cyf
67721  
Franz Anton Maulbertsch, Der Quacksalber
  		 Der Quacksalber   Franz Anton Maulbertsch: Der Quacksalber (The quack), before 1785 Oil on wood, 53 x 56 cm
71437  
Franz Anton Maulbertsch, Der Quacksalber
  		 Der Quacksalber   1785 Oil on wood, 53 x 56 cm
89858  
Franz Anton Maulbertsch, Himmelfahrt Maria
  		 Himmelfahrt Maria   1762-1764 Medium oil on paper Dimensions 68 x 33 cm cjr
92371  
Franz Anton Maulbertsch, The quack
  		 The quack   Date before 1785(1785) Medium oil on panel Dimensions 53 X 56 cm (20.9 X 22 in) ttd
Franz Anton Maulbertsch
(June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region. Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750. An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn. He also painted a portrait of Narcissus of Jerusalem



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